Course Syllabus
Syllabus
|
Date |
Lecture |
Topic |
Instructor |
Notes |
|
9/4/24 |
Lecture 1 |
Introduction |
Cannon/Chilton |
What is this course? Why is this course? |
|
9/9/24 |
Lecture 2 |
History of Intelligence |
Chris Wiggins |
Reifying intelligence with statistics, 1900s |
|
9/11/24 |
Lecture 3 |
History of Intelligence |
Chris Wiggins |
Can machines think? 1940s-1960s |
|
9/16/24 |
Lecture 4 |
History of Intelligence |
Chris Wiggins |
AI without data, 1950s-1990s |
|
9/18/24 |
Lecture 5 |
History of Intelligence |
Chris Wiggins |
From programming to learning, 1990s-2010s |
|
9/23/24 |
Lecture 6 |
External Speaker/Panel |
Lydia Chilton |
|
|
9/25/24 |
Lecture 7 |
From NN to LLM: Rise of the Machines |
Vishal Misra |
Introduction to Neural Networks |
|
9/30/24 |
Lecture 8 |
From NN to LLM: Rise of the Machines |
Vishal Misra |
Deep Learning Revolution |
|
10/2/24 |
Lecture 9 |
From NN to LLM: Rise of the Machines |
Vishal Misra |
Transition to Transformer Architectures |
|
10/7/24 |
Lecture 10 |
From NN to LLM: Rise of the Machines |
Vishal Misra |
The Era of Large Language Models and ChatGPT |
|
10/9/24 |
Lecture 11 |
External Speaker/Panel |
Brendan Fleig-Goldstein |
Normative Commitments |
|
10/14/24 |
Lecture 12 |
Philosophy and AI: Mental States? |
Katja Vogt |
Can we ascribe beliefs and intentions to AI? Can LLMs speak? Can they lie? |
|
10/16/24 |
Lecture 13 |
Philosophy and AI: Alignment |
Katja Vogt |
Can AI be aligned with human values? What is explainable AI (XAI)? |
|
10/21/24 |
Lecture 14 |
Philosophy and AI: Fairness and Accuracy |
Katja Vogt |
What makes an AI “fair”? How does fairness relate to accuracy and other values? |
|
10/23/24 |
Lecture 15 |
Philosophy and AI: Generics and Bias |
Katja Vogt |
How should LLMs deal with generics? What about social generics and bias? |
|
10/28/24 |
Lecture 16 |
External Speaker/Panel |
Jeremy Dauber |
20th Century science fiction and modern AI |
|
10/30/24 |
Lecture 17 |
Art and Music with AI: Tools, Assistance, and Collaboration in Creative Computation |
Seth Cluett |
Deep learning and the generative shift in creative computation; a history of algorithmic art and music, creative labor replacement anxiety |
|
11/4/24 |
No Class |
Fall Break |
||
|
11/6/24 |
Lecture 18 |
Art and Music with AI: The Voice, the Face, the Object, and the Environment |
Seth Cluett |
Worldmaking, subjecthood and objecthood; detection, comparison, completion, recommendation, and fabrication; Fakery |
|
11/11/24 |
Lecture 19 |
Art and Music with AI: Methods and Processes |
Seth Cluett |
Media rich and time-based corpus development, training sets, extant tools and future directions; Creative mis-use |
|
11/13/24 |
Lecture 20 |
Art and Music with AI: Copyright, Authorship, and Ownership |
Seth Cluett |
How does deep learning and generative AI alter conceptions of authorship, how does the framing of intellectual property shift when machines (co)create works of art and music, how will creative labor evolve? |
|
11/18/24 |
Lecture 21 |
External Speaker/Panel |
Maurizio Forte |
AI in Archeology, cultural heritage, and museum studies |
|
11/20/24 |
Lecture 22 |
Language and AI |
Dennis Yi Tenen |
Grammars and Schemas: Chomskian grammars. Exercise: Remake Yngve's "English Sentence Generator" |
|
11/25/24 |
Lecture 23 |
Language and AI |
Dennis Yi Tenen |
Chains and Vectors. |
|
11/2724 |
No Class |
Thanksgiving Break |
||
|
12/2/24 |
Lecture 24 |
Language and AI |
Dennis Yi Tenen |
Writing with AI. Prompt engineering and its impact on responses. Best practices. |
|
12/4/24 |
Lecture 25 |
Language with AI |
Dennis Yi Tenen |
Platform comparison. Gemini, Copilot, Meta AI and others. |
|
12/9/24 |
Lecture 26 |
Epilogue |
Cannon/Chilton |
How will you use AI next? |
Course Summary:
| Date | Details | Due |
|---|---|---|