Buell, room 300S
THE THEORETICAL TURN IN ARCHITECTURE: 1960-2000
Postmodernism, Deconstructivism, Folding, Blobs, and Post-Theory
This seminar examines some of the theoretical and critical approaches current in architecture debate from 1960 to the beginning of the twenty-first century. The course focuses in particular on the question of meaning in architecture, beginning with approaches influenced by semiology and structuralism to establish an architecture of greater signification, and concluding with recent trends influenced by poststructuralist theories that challenge the possibility of architecture meaning. The last class will address the current reaction against theory, and the emergence of anti-theoretical “theories” (technological determinism, Neo-Pragmatism, sensationalism, etc.). Certain classes will consider general theoretical approaches, usually originating in philosophy or literary criticism; others will examine specific currents in architecture in relation to these theoretical approaches. Seminars will be structured primarily around the assigned readings, which include: Roland Barthes, "The Eiffel Tower"; Jürgen Habermas, "Modernism: An Incomplete Project"; Jean-François Lyotard, The Postmodern Condition; Andreas Huyssen, "Mapping the Postmodern"; Jacques Derrida, "Structure, Sign, and Play in the Discourse of the Human Sciences"; Gilles Deleuze and Félix Guattari, A Thousand Plateaus, Alan Colquhoun, "Historicism and the Limits of Semiology"; Robert Venturi, Complexity and Contradiction in Architecture, Aldo Rossi, The Architecture of the City; Raphael Moneo, "On Typology"; Peter Eisenman, "Architecture and the Problem of the Rhetorical Figure"; Bernard Tschumi, "Six Concepts"; Marc Wigley, The Architecture of Deconstruction: Derrida's Haunt, and Greg Lynn, “The Folded, the Pliant, and the Supple” and “Animate Form.”
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